Special Projects: Sneks

Snek 1 | Images and artwork by Abril Warner.

Initially, I created these images as part of a comparative study on three types of paint: gouache and two variations of acrylic gouache (more on that at a later date). The subjects of the paintings were inspired by folk motifs sourced from various online platforms, including representations of bugs, flowers, birds, and snakes. Each piece measured 2.5 by 3.5 inches and was executed on smooth Bristol board. The work spanned several sessions over the course of approximately one month.

Snek 2

The primary intention behind this project was not to achieve a specific outcome but to engage in practice and experimentation with matte paints (paints with low gloss finishes). As such, I consciously allowed myself to release any stringent judgment regarding the final quality of the images. Instead, I focused on exploring aspects such as color, texture, the impact of water in paint mixing, and drying times.

Snek 3

Over time, I observed that the snakes, began to emerge as a central motif and I was making intentional decisions that mattered to me. There was symbolism in that the snakes were facing up, left, or right —never downward. These guys were delightful.

Snek 4

The subject matter evolved further as I introduced playful, non-naturalistic variations, particularly with the addition of whimsical flowers. And then I gave the snakes lips and playfully called them "sneks."

Snek 5

This informal project provided a refreshing departure from my usual practice, allowing me to embrace a more playful approach to art-making while still exploring various technical aspects of the medium.

Snek 6

Abril Warner

Abril P. Warner was born in Ciudad Juarez, Chihuahua, Mexico. She received her BFA from the University of Missouri- St. Louis with a concentration in painting with theological and metaphysical content. Abril Warner earned her MFA in painting from the Academy of Art University – San Francisco where she continued her theological examination through painting. She uses abstraction as a tool for communicating the intangible, such as emotions and spirituality. Warner currently resides in Missouri where she is an art educator and mentor in higher education.

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